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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Sailboat at Southampton
Work_PrefTitle
Sailboat at Southampton
Preferred Title
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Alternate Title:
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Voilier à Southampton
Work_AltTitle
Voilier à Southampton
Alternate Title
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Image View:
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Detail of Southampton harbor
Image_Title
Detail of Southampton harbor
Image View
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Creator:
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Maurice de Vlaminck (French painter, 1876-1958)
Agent_Display
Maurice de Vlaminck (French painter, 1876-1958)
Creator
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Location:
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repository: Portland Museum of Art (Portland, Maine, United States) 19.2003.2
Work_Location_Type_D isplay
repository: Portland Museum of Art (Portland, Maine, United States) 19.2003.2
Location
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Location Note:
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7 Congress Square
Work_LocationNotes
7 Congress Square
Location Note
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GPS:
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43.653611-70.262222
GPS
43.653611-70.262222
GPS
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Date:
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1912-1914 (creation)
Work_DateDisplay
1912-1914 (creation)
Date
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Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Expressionist; Twentieth century
Work_StylePeriodDisp lay
Expressionist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Subjects:
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seascape; Boats and boating; harbor; town
Work_Image_SubjectDi splay
seascape; Boats and boating; harbor; town
Subjects
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Description:
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Private collection on long term loan. After his Fauve period, Vlaminck remained consistently hostile to the most avant-garde movement in contemporary French art, Cubism, in spite of the fact that its roots were also in the work of Cézanne. Instead he developed a more naturalistic treatment of landscape, retaining his vigorous style (a kind of proto-Expressionism) but using more austere colors. Ambroise Vollard, who bought all the paintings in Vlaminck’s studio in 1906 and organized his first exhibition the following year, had the idea of sending him to England in 1911. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Private collection on long term loan. After his Fauve period, Vlaminck remained consistently hostile to the most avant-garde movement in contemporary French art, Cubism, in spite of the fact that its roots were also in the work of Cézanne. Instead he developed a more naturalistic treatment of landscape, retaining his vigorous style (a kind of proto-Expressionism) but using more austere colors. Ambroise Vollard, who bought all the paintings in Vlaminck’s studio in 1906 and organized his first exhibition the following year, had the idea of sending him to England in 1911. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-VALMINCK-SIS-A03
Image_OriginalVendor ID
7A1-VALMINCK-SIS-A03
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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