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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Adoration of the Magi
Work_PrefTitle
Adoration of the Magi
Preferred Title
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Image View:
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Detail, background scenes of a camel, hunters, and shepherds; a peacock roosts on the manger
Image_Title
Detail, background scenes of a camel, hunters, and shepherds; a peacock roosts on the manger
Image View
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Creator:
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Stefano da Verona (Italian painter, ca. 1374-ca. 1438)
Agent_Display
Stefano da Verona (Italian painter, ca. 1374-ca. 1438)
Creator
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Location:
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repository: Brera Museum (Milan, Lombardy, Italy) 349
Work_Location_Type_D isplay
repository: Brera Museum (Milan, Lombardy, Italy) 349
Location
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Location Note:
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Via Brera 28
Work_LocationNotes
Via Brera 28
Location Note
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GPS:
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45.471944 9.188056
GPS
45.471944 9.188056
GPS
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Date:
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1435-1436 (creation)
Work_DateDisplay
1435-1436 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Late Gothic
Work_StylePeriodDisp lay
Fifteenth century; Late Gothic
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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tempera on wood panel
Work_MaterialDisplay
tempera on wood panel
Material
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Technique:
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painting and painting techniques
Work_Technique
painting and painting techniques
Technique
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Measurements:
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72 cm (height) x 47 cm (width)
Work_MeasurementDisp lay
72 cm (height) x 47 cm (width)
Measurements
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Subjects:
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animal; New Testament; saints; Jesus Christ; Mary, Blessed Virgin, Saint; International Gothic
Work_Image_SubjectDi splay
animal; New Testament; saints; Jesus Christ; Mary, Blessed Virgin, Saint; International Gothic
Subjects
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Description:
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Vasari first called him Stefano da Verona; in documents he appears as Stefano di Giovanni; he may have been the son of the painter Jean d’Arbois. His work mixes northern and Lombard traits. This is a late work and he remained faithful to the Late Gothic (International Gothic), to the end of his career. This work has the profusion of detail typical of the subject matter, with exotic and other animals rendered naturalistically. The painting is signed in what seem to be raised characters, next to a bunch of carnations at the bottom. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Vasari first called him Stefano da Verona; in documents he appears as Stefano di Giovanni; he may have been the son of the painter Jean d’Arbois. His work mixes northern and Lombard traits. This is a late work and he remained faithful to the Late Gothic (International Gothic), to the end of his career. This work has the profusion of detail typical of the subject matter, with exotic and other animals rendered naturalistically. The painting is signed in what seem to be raised characters, next to a bunch of carnations at the bottom. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-VERONAS-AOTM-A04
Image_OriginalVendor ID
7A1-VERONAS-AOTM-A04
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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