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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Cornaro Chapel
Work_PrefTitle
Cornaro Chapel
Preferred Title
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Alternate Title:
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Santa Maria della Vittoria; Cornaro Chapel
Work_AltTitle
Santa Maria della Vittoria; Cornaro Chapel
Alternate Title
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Image View:
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Overall view of Left (south) gallery, located above a doorway to the nave
Image_Title
Overall view of Left (south) gallery, located above a doorway to the nave
Image View
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Creator:
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Gian Lorenzo Bernini (Italian architect, 1598-1680); Guido Ubaldo Abbatini (Italian painter, ca. 1600-1656)
Agent_Display
Gian Lorenzo Bernini (Italian architect, 1598-1680); Guido Ubaldo Abbatini (Italian painter, ca. 1600-1656)
Creator
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Location:
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site: Santa Maria della Vittoria (Rome, Lazio, Italy)
Work_Location_Type_D isplay
site: Santa Maria della Vittoria (Rome, Lazio, Italy)
Location
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Location Note:
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Via 20 Settembre, 17
Work_LocationNotes
Via 20 Settembre, 17
Location Note
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GPS:
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41.904722 12.494167
GPS
41.904722 12.494167
GPS
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Date:
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1647-1652 (creation)
Work_DateDisplay
1647-1652 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Baroque
Work_StylePeriodDisp lay
Baroque
Style Period
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Work Type 1:
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sepulchral chapel
Work_Worktype1
sepulchral chapel
Work Type 1
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Work Type 2:
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cast (sculpture)
Work_Worktype2
cast (sculpture)
Work Type 2
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Classification:
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Architecture and City Planning
Work_Classification
Architecture and City Planning
Classification
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Material:
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marble; stained glass; fresco
Work_MaterialDisplay
marble; stained glass; fresco
Material
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Technique:
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carving (processes); construction (assembling)
Work_Technique
carving (processes); construction (assembling)
Technique
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Relation Work:
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partOf Santa Maria della Vittoria
RelationType1_Work_R elatedWork1
partOf Santa Maria della Vittoria
Relation Work
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Subjects:
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death or burial; portrait; saints; Angels; Teresa, of Avila, Saint, 1515-1582; Cornaro family; trompe l'oeill; false perspective
Work_Image_SubjectDi splay
death or burial; portrait; saints; Angels; Teresa, of Avila, Saint, 1515-1582; Cornaro family; trompe l'oeill; false perspective
Subjects
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Description:
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The unity of sculpture, painting and architecture makes the chapel one of Bernini's greatest achievements. He was commissioned by the Venetian Cardinal Federigo Cornaro (1579-1653) to decorate a small chapel forming the left transept of the early 17th-century church. The patron wanted to construct a mortuary chapel for himself, commemorate seven other distinguished members of his family and, especially, honor St. Teresa of Avila, the 16th-century Spanish mystic and Carmelite reformer canonized in 1622. Guido Ubaldo Abbatini painted the vision of clouds and angels in the vault above Bernini’s marble group of Saint Teresa in Ecstasy. (Source: Grove Art Online; http://www.groveart. com/)
Work_Description_Sou rce
The unity of sculpture, painting and architecture makes the chapel one of Bernini's greatest achievements. He was commissioned by the Venetian Cardinal Federigo Cornaro (1579-1653) to decorate a small chapel forming the left transept of the early 17th-century church. The patron wanted to construct a mortuary chapel for himself, commemorate seven other distinguished members of his family and, especially, honor St. Teresa of Avila, the 16th-century Spanish mystic and Carmelite reformer canonized in 1622. Guido Ubaldo Abbatini painted the vision of clouds and angels in the vault above Bernini’s marble group of Saint Teresa in Ecstasy. (Source: Grove Art Online; http://www.groveart. com/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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1A1-BG-CC-J25
Image_OriginalVendor ID
1A1-BG-CC-J25
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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