Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Tomb of Julius II
Work_PrefTitle
Tomb of Julius II
Preferred Title
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Image View:
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Top register, a Sibyl by Raffaello da Montelupo
Image_Title
Top register, a Sibyl by Raffaello da Montelupo
Image View
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Creator:
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Michelangelo Buonarroti (Italian sculptor, 1475-1564)
Agent_Display
Michelangelo Buonarroti (Italian sculptor, 1475-1564)
Creator
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Location:
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site: San Pietro in Vincoli (Rome, Lazio, Italy)
Work_Location_Type_D isplay
site: San Pietro in Vincoli (Rome, Lazio, Italy)
Location
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Location Note:
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4/a Piazza San Pietro in Vincoli
Work_LocationNotes
4/a Piazza San Pietro in Vincoli
Location Note
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GPS:
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41.893872 12.493069
GPS
41.893872 12.493069
GPS
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Date:
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ca. 1505-1545 (creation)
Work_DateDisplay
ca. 1505-1545 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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sepulchral chapel
Work_Worktype1
sepulchral chapel
Work Type 1
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Work Type 2:
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monument
Work_Worktype2
monument
Work Type 2
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Work Type 3:
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tomb
Work_Worktype3
tomb
Work Type 3
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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marble
Work_MaterialDisplay
marble
Material
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Technique:
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carving (processes); construction (assembling)
Work_Technique
carving (processes); construction (assembling)
Technique
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Measurements:
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235 cm (height, Moses)
Work_MeasurementDisp lay
235 cm (height, Moses)
Measurements
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Subjects:
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death or burial; funerary art; New Testament; Old Testament and Apocrypha; rulers and leaders; Julius II, Pope, 1443-1513
Work_Image_SubjectDi splay
death or burial; funerary art; New Testament; Old Testament and Apocrypha; rulers and leaders; Julius II, Pope, 1443-1513
Subjects
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Description:
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Sandro di Giovanni Fancelli (Scherano), Raffaello da Montelupo, Tommaso di Pietro Boscoli, Jacopo del Duca helped complete the sculpture. The arrangement seen today in San Pietro is a fragment of the original plan. Four of the Slaves (or Captives) are now in the Accademia, Florence and two Captive figures are in the Louvre, Paris. "The seemingly perfect match between an ambitious pontiff and an ambitious artist was disastrous for Michelangelo's career in one respect: until 1545 his life was dominated by repeated failures to complete the Julian monument, what Condivi called 'the tragedy of the tomb'." (Source: Grove Art Online; http://www.groveart. com/)
Work_Description_Sou rce
Sandro di Giovanni Fancelli (Scherano), Raffaello da Montelupo, Tommaso di Pietro Boscoli, Jacopo del Duca helped complete the sculpture. The arrangement seen today in San Pietro is a fragment of the original plan. Four of the Slaves (or Captives) are now in the Accademia, Florence and two Captive figures are in the Louvre, Paris. "The seemingly perfect match between an ambitious pontiff and an ambitious artist was disastrous for Michelangelo's career in one respect: until 1545 his life was dominated by repeated failures to complete the Julian monument, what Condivi called 'the tragedy of the tomb'." (Source: Grove Art Online; http://www.groveart. com/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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1A1-MB-TJ-L45
Image_OriginalVendor ID
1A1-MB-TJ-L45
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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