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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Cappella Lancelotti; Apotheosis of the Blessed Aloysius Gonzaga (and Altar)
Work_PrefTitle
Cappella Lancelotti; Apotheosis of the Blessed Aloysius Gonzaga (and Altar)
Preferred Title
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Image View:
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Overall view of chapel altar in right transept; relief by Legros, surround by Pozzo
Image_Title
Overall view of chapel altar in right transept; relief by Legros, surround by Pozzo
Image View
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Creator:
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Andrea Pozzo (Italian sculptor, 1642-1709); Pierre Legros II (French sculptor, 1666-1719)
Agent_Display
Andrea Pozzo (Italian sculptor, 1642-1709); Pierre Legros II (French sculptor, 1666-1719)
Creator
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Location:
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repository: Sant'Ignazio (Rome, Lazio, Italy)
Work_Location_Type_D isplay
repository: Sant'Ignazio (Rome, Lazio, Italy)
Location
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Location Note:
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Via del Caravita, 8A; Lancelotti chapel, right transept
Work_LocationNotes
Via del Caravita, 8A; Lancelotti chapel, right transept
Location Note
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GPS:
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41.899 12.479778
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Date:
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relief, 1697-1699 (creation)
Work_DateDisplay
relief, 1697-1699 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Baroque; Seventeenth century
Work_StylePeriodDisp lay
Baroque; Seventeenth century
Style Period
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Work Type 1:
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altarpiece
Work_Worktype1
altarpiece
Work Type 1
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Work Type 2:
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relief (sculpture)
Work_Worktype2
relief (sculpture)
Work Type 2
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Work Type 3:
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sculpture (visual work)
Work_Worktype3
sculpture (visual work)
Work Type 3
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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colored marble relief; bronze; marble; silver
Work_MaterialDisplay
colored marble relief; bronze; marble; silver
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Measurements:
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900 cm (height, approx., relief)
Work_MeasurementDisp lay
900 cm (height, approx., relief)
Measurements
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Subjects:
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saints; Jesuits
Work_Image_SubjectDi splay
saints; Jesuits
Subjects
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Description:
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Le Gros's relief was inspired by the Ecstasy of St Catherine of Siena by Melchiore Caffa. This offered the ideal pattern for a meditative image, eminently suitable in the case of Gonzaga, the young Jesuit saint (1568-1591) who was often invoked as an example of youthful piety. He had died while still a student, during an epidemic where he cared for the victims. Saint Aloysius de Gonzaga was beatified in 1605 and canonized in 1726. The surrounding altar which includes twisted columns in green marble is by Andrea Pozzo. (Source: Web Gallery of Art; http://www.wga.hu/in dex.html)
Work_Description_Sou rce
Le Gros's relief was inspired by the Ecstasy of St Catherine of Siena by Melchiore Caffa. This offered the ideal pattern for a meditative image, eminently suitable in the case of Gonzaga, the young Jesuit saint (1568-1591) who was often invoked as an example of youthful piety. He had died while still a student, during an epidemic where he cared for the victims. Saint Aloysius de Gonzaga was beatified in 1605 and canonized in 1726. The surrounding altar which includes twisted columns in green marble is by Andrea Pozzo. (Source: Web Gallery of Art; http://www.wga.hu/in dex.html)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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1A1-PAN-CSI-ASLG-A02
Image_OriginalVendor ID
1A1-PAN-CSI-ASLG-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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