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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Cappella Lancelotti; Angels Flanking Altar
Work_PrefTitle
Cappella Lancelotti; Angels Flanking Altar
Preferred Title
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Alternate Title:
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Angels Bearing Lilies
Work_AltTitle
Angels Bearing Lilies
Alternate Title
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Image View:
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Right flanking angel with lilies, side view of body and wing
Image_Title
Right flanking angel with lilies, side view of body and wing
Image View
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Creator:
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Bernardino Ludovisi (Italian sculptor, ca.1693-1749)
Agent_Display
Bernardino Ludovisi (Italian sculptor, ca.1693-1749)
Creator
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Location:
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repository: Sant'Ignazio (Rome, Lazio, Italy)
Work_Location_Type_D isplay
repository: Sant'Ignazio (Rome, Lazio, Italy)
Location
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Location Note:
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Via del Caravita, 8A; Lancelotti chapel, right transept
Work_LocationNotes
Via del Caravita, 8A; Lancelotti chapel, right transept
Location Note
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GPS:
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41.899 12.479778
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Date:
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ca. 1748 (creation)
Work_DateDisplay
ca. 1748 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Baroque; Eighteenth century
Work_StylePeriodDisp lay
Baroque; Eighteenth century
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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marble
Work_MaterialDisplay
marble
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Subjects:
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Angels
Work_Image_SubjectDi splay
Angels
Subjects
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Description:
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Ludovisi began in the vein of Baroque classicism, but as he matured he began to lean toward the French style of Le Gros (Legros) and the Rococo, exemplifying a later, gentler variation of Italian Baroque which Enggass named barocchetto. These angels flank Legros' altarpiece of Saint Aloysius de Gonzaga, created nearly 50 years before. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Work_Description_Sou rce
Ludovisi began in the vein of Baroque classicism, but as he matured he began to lean toward the French style of Le Gros (Legros) and the Rococo, exemplifying a later, gentler variation of Italian Baroque which Enggass named barocchetto. These angels flank Legros' altarpiece of Saint Aloysius de Gonzaga, created nearly 50 years before. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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6A1-LEGROS-ASG-RA-A1 0
Image_OriginalVendor ID
6A1-LEGROS-ASG-RA-A1 0
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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