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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Madonna del Latte
Work_PrefTitle
Madonna del Latte
Preferred Title
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Alternate Title:
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Tomb of Francesco Nori
Work_AltTitle
Tomb of Francesco Nori
Alternate Title
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Image View:
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Detail, basin of the holy water font, wide but shallow
Image_Title
Detail, basin of the holy water font, wide but shallow
Image View
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Creator:
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Antonio Rossellino (Italian sculptor, 1427-1479)
Agent_Display
Antonio Rossellino (Italian sculptor, 1427-1479)
Creator
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Location:
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repository: Santa Croce (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Santa Croce (Florence, Tuscany, Italy)
Location
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Location Note:
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Piazza di Santa Croce, 16; first southern column in the basilica
Work_LocationNotes
Piazza di Santa Croce, 16; first southern column in the basilica
Location Note
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GPS:
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43.768417 11.262722
GPS
43.768417 11.262722
GPS
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Date:
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ca. 1478-1479 (creation)
Work_DateDisplay
ca. 1478-1479 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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relief (sculpture)
Work_Worktype1
relief (sculpture)
Work Type 1
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Work Type 2:
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monument
Work_Worktype2
monument
Work Type 2
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Work Type 3:
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holy water stoup
Work_Worktype3
holy water stoup
Work Type 3
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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porphyry; white marble; bronze
Work_MaterialDisplay
porphyry; white marble; bronze
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Subjects:
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death or burial; funerary art; New Testament; Medici, Lorenzo de’, 1449-1492; Pazzi Conspiracy
Work_Image_SubjectDi splay
death or burial; funerary art; New Testament; Medici, Lorenzo de’, 1449-1492; Pazzi Conspiracy
Subjects
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Description:
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The work was created by Antonio Rossellino after 1478, the year in which the client Francesco Nori, head of the Medici bank, died saving the life of Lorenzo de ’Medici during the bloody Pazzi Conspiracy. The floor tomb is at the foot of the first southern column in the basilica; mounted to it are a small base surround, a holy water font with bronze candelabra, and a marble relief that rises vertically like an altarpiece. The Madonna and Child are depicted against a mandorla of red porphyry. Rising behind this is a finial-topped, tent-like drape with a fine bas-relief that actually replicates a pattern of velvet brocade in use at the time. The work is popularly known as the Madonna del latte, although reasons for the title are not clear. (Source: Santa Croce in Florence [website, blog]; https://santacrocein florence.wordpress.c om/)
Work_Description_Sou rce
The work was created by Antonio Rossellino after 1478, the year in which the client Francesco Nori, head of the Medici bank, died saving the life of Lorenzo de ’Medici during the bloody Pazzi Conspiracy. The floor tomb is at the foot of the first southern column in the basilica; mounted to it are a small base surround, a holy water font with bronze candelabra, and a marble relief that rises vertically like an altarpiece. The Madonna and Child are depicted against a mandorla of red porphyry. Rising behind this is a finial-topped, tent-like drape with a fine bas-relief that actually replicates a pattern of velvet brocade in use at the time. The work is popularly known as the Madonna del latte, although reasons for the title are not clear. (Source: Santa Croce in Florence [website, blog]; https://santacrocein florence.wordpress.c om/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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6A1-RA-ML-B06
Image_OriginalVendor ID
6A1-RA-ML-B06
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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