|
Collection:
|
|
ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
|
|
Preferred Title:
|
|
Wheat Harvest
Work_PrefTitle
Wheat Harvest
Preferred Title
|
|
Image View:
|
|
Overall view without frame
Image_Title
Overall view without frame
Image View
|
|
Creator:
|
|
Émile Bernard (French painter, 1868-1941)
Agent_Display
Émile Bernard (French painter, 1868-1941)
Creator
|
|
Location:
|
|
repository: UCLA Hammer Museum of Art and Cultural Center (Los Angeles, California, United States)
Work_Location_Type_D isplay
repository: UCLA Hammer Museum of Art and Cultural Center (Los Angeles, California, United States)
Location
|
|
Location Note:
|
|
10899 Wilshire Blvd.; The Armand Hammer Collection, Gift of the Armand Hammer Foundation
Work_LocationNotes
10899 Wilshire Blvd.; The Armand Hammer Collection, Gift of the Armand Hammer Foundation
Location Note
|
|
GPS:
|
|
34.059444-118.443611
GPS
34.059444-118.443611
GPS
|
|
Date:
|
|
1889 (creation)
Work_DateDisplay
1889 (creation)
Date
|
|
Cultural Context:
|
|
French
Work_Culture
French
Cultural Context
|
|
Style Period:
|
|
Nineteenth century; Post-Impressionist
Work_StylePeriodDisp lay
Nineteenth century; Post-Impressionist
Style Period
|
|
Work Type 1:
|
|
painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
|
|
Classification:
|
|
Paintings
Work_Classification
Paintings
Classification
|
|
Material:
|
|
oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
|
|
Technique:
|
|
oil painting (technique)
Work_Technique
oil painting (technique)
Technique
|
|
Subjects:
|
|
agriculture; genre; landscape; Hammer Museum; farming; peasants; Breton; Brittany
Work_Image_SubjectDi splay
agriculture; genre; landscape; Hammer Museum; farming; peasants; Breton; Brittany
Subjects
|
|
Description:
|
|
Between 1886 and 1893, Emile Bernard regularly took his family on holiday to Saint-Briac, a small Breton village between the Bay of Mont-Saint-Michel and the Bay of Saint-Brieuc. He first met Gauguin there in 1886, but it wasn't until 1888 that the two artists met up at Pont-Aven, where they shared their research into the radical simplification of shapes, into abandoning traditional perspective, and using flat areas of color outlined by dark contours recalling the leadwork of stained glass. During his stays in Brittany, Bernard turned towards the day-to-day tasks of the peasants, like those of the harvesters in this painting, already celebrated by Millet. (Source: Musée d'Orsay [website]; http://www.musee-ors ay.fr/en/)
Work_Description_Sou rce
Between 1886 and 1893, Emile Bernard regularly took his family on holiday to Saint-Briac, a small Breton village between the Bay of Mont-Saint-Michel and the Bay of Saint-Brieuc. He first met Gauguin there in 1886, but it wasn't until 1888 that the two artists met up at Pont-Aven, where they shared their research into the radical simplification of shapes, into abandoning traditional perspective, and using flat areas of color outlined by dark contours recalling the leadwork of stained glass. During his stays in Brittany, Bernard turned towards the day-to-day tasks of the peasants, like those of the harvesters in this painting, already celebrated by Millet. (Source: Musée d'Orsay [website]; http://www.musee-ors ay.fr/en/)
Description
|
|
Collection:
|
|
Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
|
|
Identifier:
|
|
7A1-BERNARD-WH-A01
Image_OriginalVendor ID
7A1-BERNARD-WH-A01
Identifier
|
|
Rights:
|
|
© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
|
