Collection:
|
ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
|
Preferred Title:
|
Annunciation
Work_PrefTitle
Annunciation
Preferred Title
|
Image View:
|
Detail, top left of painting with architectural detail, barrel vault and coffers
Image_Title
Detail, top left of painting with architectural detail, barrel vault and coffers
Image View
|
Creator:
|
Neri di Bicci (Italian painter, 1418-1492)
Agent_Display
Neri di Bicci (Italian painter, 1418-1492)
Creator
|
Location:
|
repository: Galleria dell'Accademia (Florence, Tuscany, Italy) Inv. 1890 no. 8622
Work_Location_Type_D isplay
repository: Galleria dell'Accademia (Florence, Tuscany, Italy) Inv. 1890 no. 8622
Location
|
Location Note:
|
58–60 via Ricasoli
Work_LocationNotes
58–60 via Ricasoli
Location Note
|
GPS:
|
43.77694 11.25873
GPS
43.77694 11.25873
GPS
|
Date:
|
ca. 1465 (creation)
Work_DateDisplay
ca. 1465 (creation)
Date
|
Cultural Context:
|
Italian
Work_Culture
Italian
Cultural Context
|
Style Period:
|
Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
|
Work Type 1:
|
panel painting
Work_Worktype1
panel painting
Work Type 1
|
Classification:
|
Paintings
Work_Classification
Paintings
Classification
|
Material:
|
tempera paint on wood panel
Work_MaterialDisplay
tempera paint on wood panel
Material
|
Technique:
|
painting and painting techniques
Work_Technique
painting and painting techniques
Technique
|
Measurements:
|
178 cm (height) x 170 cm (width)
Work_MeasurementDisp lay
178 cm (height) x 170 cm (width)
Measurements
|
Subjects:
|
architecture; landscape; New Testament; saints; Gabriel (Archangel); Mary, Blessed Virgin, Saint; Crucifixion
Work_Image_SubjectDi splay
architecture; landscape; New Testament; saints; Gabriel (Archangel); Mary, Blessed Virgin, Saint; Crucifixion
Subjects
|
Description:
|
This panel comes from the Church of Santa Maria del Sepolcro for which it was commissioned in 1461 by Agnolo Vettori, who was gonfalonier of the Republic of Florence in 1458. Neri di Bicci was heir to his grandfather's (Lorenzo di Bicci) and father's (Bicci di Lorenzo) studio. Notable in this Annunciation is the small depiction of the Crucifixion, flanked by angels at the bottom. The complex architecture creates a deep perspective out to the landscape. The panel was recently restored. (Source: Galleria dell'Accademia (Florence) [website]; http://www.accademia .org/)
Work_Description_Sou rce
This panel comes from the Church of Santa Maria del Sepolcro for which it was commissioned in 1461 by Agnolo Vettori, who was gonfalonier of the Republic of Florence in 1458. Neri di Bicci was heir to his grandfather's (Lorenzo di Bicci) and father's (Bicci di Lorenzo) studio. Notable in this Annunciation is the small depiction of the Crucifixion, flanked by angels at the bottom. The complex architecture creates a deep perspective out to the landscape. The panel was recently restored. (Source: Galleria dell'Accademia (Florence) [website]; http://www.accademia .org/)
Description
|
Collection:
|
Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
|
Identifier:
|
7A1-BICCI-AG-A-A09
Image_OriginalVendor ID
7A1-BICCI-AG-A-A09
Identifier
|
Rights:
|
© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
|