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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Portrait of a Young Man as Saint Sebastian
Work_PrefTitle
Portrait of a Young Man as Saint Sebastian
Preferred Title
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Image View:
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Detail, head and shoulder
Image_Title
Detail, head and shoulder
Image View
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Creator:
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Agnolo Bronzino (Italian painter, 1503-1572)
Agent_Display
Agnolo Bronzino (Italian painter, 1503-1572)
Creator
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Location:
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repository: Museo Thyssen-Bornemisza (Madrid, Madrid, Spain) Inv. no. 64 (1985.2)
Work_Location_Type_D isplay
repository: Museo Thyssen-Bornemisza (Madrid, Madrid, Spain) Inv. no. 64 (1985.2)
Location
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Location Note:
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Paseo del Prado, 8
Work_LocationNotes
Paseo del Prado, 8
Location Note
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GPS:
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40.416111-3.695
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Date:
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ca. 1533 (creation)
Work_DateDisplay
ca. 1533 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Mannerist (Renaissance-Baroque style); Sixteenth century
Work_StylePeriodDisp lay
Mannerist (Renaissance-Baroque style); Sixteenth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on panel
Work_MaterialDisplay
oil paint on panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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87 cm (height) x 76.5 cm (width)
Work_MeasurementDisp lay
87 cm (height) x 76.5 cm (width)
Measurements
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Subjects:
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portrait; saints; Sebastian, Saint
Work_Image_SubjectDi splay
portrait; saints; Sebastian, Saint
Subjects
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Description:
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The painting has been dated 1533, at a time when Bronzino was defining his own artistic personality following his assimilation of Pontormo’s teachings. The attribution to Bronzino was made by relating it to an early work by Bronzino on which he collaborated with Pontormo: four tondi depicting the Evangelists painted for the funerary chapel of Ludovico Capponi in Santa Felicità in Florence. A drawing by Bronzino of Matthew shows the same pose and drapery. Brock suggested that the painting was an allegorical portrait. (Source: Thyssen-Bornemisza Museum [website]; https://www.museothy ssen.org/en/)
Work_Description_Sou rce
The painting has been dated 1533, at a time when Bronzino was defining his own artistic personality following his assimilation of Pontormo’s teachings. The attribution to Bronzino was made by relating it to an early work by Bronzino on which he collaborated with Pontormo: four tondi depicting the Evangelists painted for the funerary chapel of Ludovico Capponi in Santa Felicità in Florence. A drawing by Bronzino of Matthew shows the same pose and drapery. Brock suggested that the painting was an allegorical portrait. (Source: Thyssen-Bornemisza Museum [website]; https://www.museothy ssen.org/en/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-BRONZINO-TBM-SS- A02
Image_OriginalVendor ID
7A1-BRONZINO-TBM-SS- A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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