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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Duomo Façade Sculpture; Madonna and Child Enthroned between Saints Reparata and Zenobius
Work_PrefTitle
Duomo Façade Sculpture; Madonna and Child Enthroned between Saints Reparata and Zenobius
Preferred Title
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Image View:
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Overall grouping; the figure at left is more probably the virtue Charity, not Saint Reparata
Image_Title
Overall grouping; the figure at left is more probably the virtue Charity, not Saint Reparata
Image View
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Creator:
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school of Nicola Pisano (Italian sculptor, active 1258-1278)
Agent_Display
school of Nicola Pisano (Italian sculptor, active 1258-1278)
Creator
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Location:
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repository: Museo dell'Opera del Duomo (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Museo dell'Opera del Duomo (Florence, Tuscany, Italy)
Location
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Location Note:
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Piazza del Duomo, 9
Work_LocationNotes
Piazza del Duomo, 9
Location Note
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GPS:
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43.772333 11.256222
GPS
43.772333 11.256222
GPS
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Date:
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1300-1310 (creation)
Work_DateDisplay
1300-1310 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Gothic (Medieval)
Work_StylePeriodDisp lay
Gothic (Medieval)
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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marble
Work_MaterialDisplay
marble
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Subjects:
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allegory; saints; Jesus Christ; Mary, Blessed Virgin, Saint; virtue; Charity
Work_Image_SubjectDi splay
allegory; saints; Jesus Christ; Mary, Blessed Virgin, Saint; virtue; Charity
Subjects
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Description:
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Martin Weinberger ascribes this grouping to school of Nicola Pisano. He points out that the figure to the left, traditionally called Saint Reparata, does not match the other figures in height and is more probably a figure of the virtue Charity, not in the originally grouping. She holds a vase with flames, one of the attributes of Charity. The originals are displayed at ground level, with copies showing their correct placement above on the full scale replica of the facade in the new wing of the museum. (Source: Weinberger, Martin; The First Façade of the Cathedral of Florence, Journal of the Warburg and Courtauld Institutes, Vol. 4, no. 1/2, 1940)
Work_Description_Sou rce
Martin Weinberger ascribes this grouping to school of Nicola Pisano. He points out that the figure to the left, traditionally called Saint Reparata, does not match the other figures in height and is more probably a figure of the virtue Charity, not in the originally grouping. She holds a vase with flames, one of the attributes of Charity. The originals are displayed at ground level, with copies showing their correct placement above on the full scale replica of the facade in the new wing of the museum. (Source: Weinberger, Martin; The First Façade of the Cathedral of Florence, Journal of the Warburg and Courtauld Institutes, Vol. 4, no. 1/2, 1940)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-CAMBIO-MD-MGT-A0 2
Image_OriginalVendor ID
7A1-CAMBIO-MD-MGT-A0 2
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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