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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Millet's Architectonic Angelus
Work_PrefTitle
Millet's Architectonic Angelus
Preferred Title
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Alternate Title:
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Ángelus arquitectónico de Millet
Work_AltTitle
Ángelus arquitectónico de Millet
Alternate Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Salvador Dalí (Spanish painter, 1904-1989)
Agent_Display
Salvador Dalí (Spanish painter, 1904-1989)
Creator
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Location:
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repository: Museo Nacional Centro de Arte Reina Sofía (Madrid, Madrid, Spain) AS10529
Work_Location_Type_D isplay
repository: Museo Nacional Centro de Arte Reina Sofía (Madrid, Madrid, Spain) AS10529
Location
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Location Note:
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52 Santa Isabel Street
Work_LocationNotes
52 Santa Isabel Street
Location Note
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GPS:
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40.408889-3.694444
GPS
40.408889-3.694444
GPS
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Date:
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1933 (creation)
Work_DateDisplay
1933 (creation)
Date
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Cultural Context:
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Spanish
Work_Culture
Spanish
Cultural Context
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Style Period:
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Surrealist; Twentieth century
Work_StylePeriodDisp lay
Surrealist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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73 cm (height) x 60 cm (width)
Work_MeasurementDisp lay
73 cm (height) x 60 cm (width)
Measurements
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Subjects:
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abstraction; landscape
Work_Image_SubjectDi splay
abstraction; landscape
Subjects
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Description:
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Towards the end of the 1920s, taking French psychoanalyst Jacques Lacan’s theories as a starting point, Salvador Dalí arrived at the discovery of the paranoiac-critical method, a system of research that the painter defined as a "spontaneous method of irrational knowledge based on the critical and systematic objectivity of the associations and interpretations of delirious phenomena." One of the iconographic variants in Dalí’s paranoiac-critical repertory is the so-called "caprices", or subjects selected by chance. One of them was Millet’s L'Angélus (The Angelus), a painting exemplifying Christian morality of the 19th century, which Dalí admired enormously. During the process of re-interpreting the subject, Dalí gave it erotic connotations of varying levels of explicitness, as he did with the majority of his output. (Source: Museo Reina Sofia [website]; https://www.museorei nasofia.es/en/)
Work_Description_Sou rce
Towards the end of the 1920s, taking French psychoanalyst Jacques Lacan’s theories as a starting point, Salvador Dalí arrived at the discovery of the paranoiac-critical method, a system of research that the painter defined as a "spontaneous method of irrational knowledge based on the critical and systematic objectivity of the associations and interpretations of delirious phenomena." One of the iconographic variants in Dalí’s paranoiac-critical repertory is the so-called "caprices", or subjects selected by chance. One of them was Millet’s L'Angélus (The Angelus), a painting exemplifying Christian morality of the 19th century, which Dalí admired enormously. During the process of re-interpreting the subject, Dalí gave it erotic connotations of varying levels of explicitness, as he did with the majority of his output. (Source: Museo Reina Sofia [website]; https://www.museorei nasofia.es/en/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-DALI-MRS-AAM-A01
Image_OriginalVendor ID
7A1-DALI-MRS-AAM-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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