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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Invisible Man
Work_PrefTitle
Invisible Man
Preferred Title
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Alternate Title:
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L'homme invisible
Work_AltTitle
L'homme invisible
Alternate Title
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Image View:
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Detail, background, horse which also has elements of a female nude
Image_Title
Detail, background, horse which also has elements of a female nude
Image View
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Creator:
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Salvador Dalí (Spanish painter, 1904-1989)
Agent_Display
Salvador Dalí (Spanish painter, 1904-1989)
Creator
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Location:
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repository: Museo Nacional Centro de Arte Reina Sofía (Madrid, Madrid, Spain) AS11142
Work_Location_Type_D isplay
repository: Museo Nacional Centro de Arte Reina Sofía (Madrid, Madrid, Spain) AS11142
Location
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Location Note:
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52 Santa Isabel Street
Work_LocationNotes
52 Santa Isabel Street
Location Note
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GPS:
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40.408889-3.694444
GPS
40.408889-3.694444
GPS
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Date:
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1929-1932 (creation)
Work_DateDisplay
1929-1932 (creation)
Date
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Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Surrealist; Twentieth century
Work_StylePeriodDisp lay
Surrealist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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140 cm (height) x 81 cm (width)
Work_MeasurementDisp lay
140 cm (height) x 81 cm (width)
Measurements
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Subjects:
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abstraction; landscape
Work_Image_SubjectDi splay
abstraction; landscape
Subjects
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Description:
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The paranoiac-critical method, created by Salvador Dalí, presented the manipulation of conventional images either by breaking up, or by decay, and added an equally important discovery: what are known as "paranoiac" or "double images" which are, in Dalí words, "the representation of an object which, without the least figurative or anatomical modification, is at the same time the representation of another absolutely different object." These ambiguous images are perfectly discernible in paintings like The Invisible Man, 1929-1932, where there are at least six different types of these images. There are a number of precedents for these types of representations in art history, such as Giuseppe Arcimboldo’s figures. (Source: Museo Reina Sofia [website]; https://www.museorei nasofia.es/en/)
Work_Description_Sou rce
The paranoiac-critical method, created by Salvador Dalí, presented the manipulation of conventional images either by breaking up, or by decay, and added an equally important discovery: what are known as "paranoiac" or "double images" which are, in Dalí words, "the representation of an object which, without the least figurative or anatomical modification, is at the same time the representation of another absolutely different object." These ambiguous images are perfectly discernible in paintings like The Invisible Man, 1929-1932, where there are at least six different types of these images. There are a number of precedents for these types of representations in art history, such as Giuseppe Arcimboldo’s figures. (Source: Museo Reina Sofia [website]; https://www.museorei nasofia.es/en/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-DALI-MRS-TIM-A03
Image_OriginalVendor ID
7A1-DALI-MRS-TIM-A03
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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