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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Adam and Eve
Work_PrefTitle
Adam and Eve
Preferred Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Hans Baldung (German painter, ca. 1484-1545)
Agent_Display
Hans Baldung (German painter, ca. 1484-1545)
Creator
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Location:
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repository: Museo Thyssen-Bornemisza (Madrid, Madrid, Spain) Inv. no. 27 (1929.17)
Work_Location_Type_D isplay
repository: Museo Thyssen-Bornemisza (Madrid, Madrid, Spain) Inv. no. 27 (1929.17)
Location
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Location Note:
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Paseo del Prado, 8
Work_LocationNotes
Paseo del Prado, 8
Location Note
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GPS:
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40.416111-3.695
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Date:
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1531 (creation)
Work_DateDisplay
1531 (creation)
Date
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Cultural Context:
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German
Work_Culture
German
Cultural Context
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Style Period:
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Renaissance; Sixteenth century
Work_StylePeriodDisp lay
Renaissance; Sixteenth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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147.5 cm (height) x 67.3 cm (width)
Work_MeasurementDisp lay
147.5 cm (height) x 67.3 cm (width)
Measurements
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Subjects:
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Old Testament and Apocrypha; Northern Renaissance; apple; serpent; Garden of Eden
Work_Image_SubjectDi splay
Old Testament and Apocrypha; Northern Renaissance; apple; serpent; Garden of Eden
Subjects
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Description:
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In this panel Baldung Grien depicts a traditional subject from biblical history in an unusual way, using a long, narrow format. Baldung Grien depicts the moment just prior to the Original Sin. The only discordant and contrasting chromatic note is provided by the powerful, striking red of the apple held by Eve. Dating from Baldung Grien’s mature period, it recalls the painting of the same subject by his master Dürer which he would probably have seen during his time in the latter’s studio. Baldung Grien depicted the subject of Original Sin on numerous other occasions, including two prints dated 1511 and 1519. (Source: Thyssen-Bornemisza Museum [website]; https://www.museothy ssen.org/en/)
Work_Description_Sou rce
In this panel Baldung Grien depicts a traditional subject from biblical history in an unusual way, using a long, narrow format. Baldung Grien depicts the moment just prior to the Original Sin. The only discordant and contrasting chromatic note is provided by the powerful, striking red of the apple held by Eve. Dating from Baldung Grien’s mature period, it recalls the painting of the same subject by his master Dürer which he would probably have seen during his time in the latter’s studio. Baldung Grien depicted the subject of Original Sin on numerous other occasions, including two prints dated 1511 and 1519. (Source: Thyssen-Bornemisza Museum [website]; https://www.museothy ssen.org/en/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-GRIEN-TBM-AAE-A0 1
Image_OriginalVendor ID
7A1-GRIEN-TBM-AAE-A0 1
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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