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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Musician's Table
Work_PrefTitle
Musician's Table
Preferred Title
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Alternate Title:
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La table du musicien
Work_AltTitle
La table du musicien
Alternate Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Juan Gris (Spanish painter, 1887-1927)
Agent_Display
Juan Gris (Spanish painter, 1887-1927)
Creator
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Location:
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repository: Museo Nacional Centro de Arte Reina Sofía (Madrid, Madrid, Spain) AD01034
Work_Location_Type_D isplay
repository: Museo Nacional Centro de Arte Reina Sofía (Madrid, Madrid, Spain) AD01034
Location
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Location Note:
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52 Santa Isabel Street
Work_LocationNotes
52 Santa Isabel Street
Location Note
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GPS:
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40.408889-3.694444
GPS
40.408889-3.694444
GPS
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Date:
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1926 (creation)
Work_DateDisplay
1926 (creation)
Date
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Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Cubist; Twentieth century
Work_StylePeriodDisp lay
Cubist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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81 cm (height) x 100 cm (width)
Work_MeasurementDisp lay
81 cm (height) x 100 cm (width)
Measurements
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Subjects:
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abstraction; music; still life; Musical instruments
Work_Image_SubjectDi splay
abstraction; music; still life; Musical instruments
Subjects
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Description:
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La table du musicien (The Musician's Table) is evidence of Juan Gris’ love of the world of music, shown here and in many other cases through the inclusion of an instrument. The musical instruments in Juan Gris’ works (so central to Cubism but also indicative of the painter’s penchant for music and dancing) seem to be closer to those in paintings specifically focusing on these sound-producing implements, such as the allegories of the arts by Bartolomeo Bettera (the Bergamo-born Baroque painter), the Dutch vanitas of the 17th century or the trompe l'oeil pictures by the late 19th century American artist William Harnett. (Source: Museo Reina Sofia [website]; https://www.museorei nasofia.es/en/)
Work_Description_Sou rce
La table du musicien (The Musician's Table) is evidence of Juan Gris’ love of the world of music, shown here and in many other cases through the inclusion of an instrument. The musical instruments in Juan Gris’ works (so central to Cubism but also indicative of the painter’s penchant for music and dancing) seem to be closer to those in paintings specifically focusing on these sound-producing implements, such as the allegories of the arts by Bartolomeo Bettera (the Bergamo-born Baroque painter), the Dutch vanitas of the 17th century or the trompe l'oeil pictures by the late 19th century American artist William Harnett. (Source: Museo Reina Sofia [website]; https://www.museorei nasofia.es/en/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-GRIS-MRS-MT-A01
Image_OriginalVendor ID
7A1-GRIS-MRS-MT-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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