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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Portrait of Madame Josette Gris
Work_PrefTitle
Portrait of Madame Josette Gris
Preferred Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Juan Gris (Spanish painter, 1887-1927)
Agent_Display
Juan Gris (Spanish painter, 1887-1927)
Creator
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Location:
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repository: Museo Nacional Centro de Arte Reina Sofía (Madrid, Madrid, Spain) AS12050
Work_Location_Type_D isplay
repository: Museo Nacional Centro de Arte Reina Sofía (Madrid, Madrid, Spain) AS12050
Location
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Location Note:
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52 Santa Isabel Street
Work_LocationNotes
52 Santa Isabel Street
Location Note
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GPS:
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40.408889-3.694444
GPS
40.408889-3.694444
GPS
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Date:
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October 1916 (creation)
Work_DateDisplay
October 1916 (creation)
Date
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Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Cubist; Twentieth century
Work_StylePeriodDisp lay
Cubist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on board
Work_MaterialDisplay
oil paint on board
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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116 cm (height) x 73 cm (width)
Work_MeasurementDisp lay
116 cm (height) x 73 cm (width)
Measurements
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Subjects:
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abstraction; portrait
Work_Image_SubjectDi splay
abstraction; portrait
Subjects
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Description:
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As well as marking the starting point of Synthetic Cubism, 1916 also marked the beginning for Juan Gris, as would happen later for Picasso, of a meticulous re-examination of the work of some past masters, particularly Paul Cézanne, Corot and Velázquez. The three works that Juan Gris produced at this time, inspired by Corot, are female portraits, of which this is one. It seems that all three are based on the physical appearance of Josette, Juan Gris’ partner, who posed to a greater or lesser extent for each work. (Source: Museo Reina Sofia [website]; https://www.museorei nasofia.es/en/)
Work_Description_Sou rce
As well as marking the starting point of Synthetic Cubism, 1916 also marked the beginning for Juan Gris, as would happen later for Picasso, of a meticulous re-examination of the work of some past masters, particularly Paul Cézanne, Corot and Velázquez. The three works that Juan Gris produced at this time, inspired by Corot, are female portraits, of which this is one. It seems that all three are based on the physical appearance of Josette, Juan Gris’ partner, who posed to a greater or lesser extent for each work. (Source: Museo Reina Sofia [website]; https://www.museorei nasofia.es/en/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-GRIS-MRS-PMJ-A01
Image_OriginalVendor ID
7A1-GRIS-MRS-PMJ-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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