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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Corpse and Mirror II
Work_PrefTitle
Corpse and Mirror II
Preferred Title
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Image View:
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Overall view of the work, made from four joined canvases
Image_Title
Overall view of the work, made from four joined canvases
Image View
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Creator:
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Jasper Johns (American painter, born 1930)
Agent_Display
Jasper Johns (American painter, born 1930)
Creator
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Location:
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exhibition: Broad Museum (Los Angeles, California, United States)
Work_Location_Type_D isplay
exhibition: Broad Museum (Los Angeles, California, United States)
Location
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Location Note:
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Jasper Johns: 'Something Resembling Truth' (Exhibition, February 10-May 13, 2018)
Work_LocationNotes
Jasper Johns: 'Something Resembling Truth' (Exhibition, February 10-May 13, 2018)
Location Note
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Date:
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1974-1975 (creation)
Work_DateDisplay
1974-1975 (creation)
Date
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Cultural Context:
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American
Work_Culture
American
Cultural Context
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Style Period:
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Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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Oil paint; sand on four joined canvases, with artist's painted frame
Work_MaterialDisplay
Oil paint; sand on four joined canvases, with artist's painted frame
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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146.4 cm (height) x 191.1 cm (width)
Work_MeasurementDisp lay
146.4 cm (height) x 191.1 cm (width)
Measurements
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Subjects:
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contemporary (1960 to present); nonrepresentational art; pattern; cross-hatching; mirror-image
Work_Image_SubjectDi splay
contemporary (1960 to present); nonrepresentational art; pattern; cross-hatching; mirror-image
Subjects
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Description:
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In his work from 1972 to 1983, Jasper Johns used a distinct arrangement of crosshatched marks, traditionally considered a graphic method of adding depth and volume to an image or conveying the illusion of light in space. Johns first glimpsed this pattern on a passing car, recalling: "I only saw it for a second, but knew immediately that I was going to use it. It had all the qualities that interest me-- literalness, repetitiveness, an obsessive quality, order with dumbness, and the possibility of a complete lack of meaning." Collection of the artist. (Source: Art Institute of Chicago [website]; http://www.artic.edu /)
Work_Description_Sou rce
In his work from 1972 to 1983, Jasper Johns used a distinct arrangement of crosshatched marks, traditionally considered a graphic method of adding depth and volume to an image or conveying the illusion of light in space. Johns first glimpsed this pattern on a passing car, recalling: "I only saw it for a second, but knew immediately that I was going to use it. It had all the qualities that interest me-- literalness, repetitiveness, an obsessive quality, order with dumbness, and the possibility of a complete lack of meaning." Collection of the artist. (Source: Art Institute of Chicago [website]; http://www.artic.edu /)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-JOHNS-SRT-CAM2-A 01
Image_OriginalVendor ID
7A1-JOHNS-SRT-CAM2-A 01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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