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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Pastoral
Work_PrefTitle
Pastoral
Preferred Title
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Alternate Title:
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Pastorale
Work_AltTitle
Pastorale
Alternate Title
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Image View:
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Detail, of bull or cow and other forms
Image_Title
Detail, of bull or cow and other forms
Image View
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Creator:
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Joán Miró (Spanish painter, 1893-1983)
Agent_Display
Joán Miró (Spanish painter, 1893-1983)
Creator
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Location:
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repository: Museo Nacional Centro de Arte Reina Sofía (Madrid, Madrid, Spain) DE01371
Work_Location_Type_D isplay
repository: Museo Nacional Centro de Arte Reina Sofía (Madrid, Madrid, Spain) DE01371
Location
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Location Note:
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52 Santa Isabel Street
Work_LocationNotes
52 Santa Isabel Street
Location Note
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GPS:
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40.408889-3.694444
GPS
40.408889-3.694444
GPS
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Date:
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1923-1924 (creation)
Work_DateDisplay
1923-1924 (creation)
Date
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Cultural Context:
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Catalan; French
Work_Culture
Catalan; French
Cultural Context
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Style Period:
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Surrealist; Twentieth century
Work_StylePeriodDisp lay
Surrealist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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black chalk; oil paint on canvas
Work_MaterialDisplay
black chalk; oil paint on canvas
Material
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Technique:
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drawing (image-making); oil painting (technique)
Work_Technique
drawing (image-making); oil painting (technique)
Technique
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Measurements:
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60 cm (height) x 92 cm (width)
Work_MeasurementDisp lay
60 cm (height) x 92 cm (width)
Measurements
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Subjects:
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abstraction
Work_Image_SubjectDi splay
abstraction
Subjects
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Description:
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From 1923-1924, Joan Miró moved away from the precision of what is known as his “detailistic phase”, in order to radically change the direction of his output, pushing it more towards the proposals of Dadaism and Surrealism. The creative freedom that came with his new pictorial approach led him to experiment with a new language, the starting point of which was that most authentic of Surrealist procedures, Automatism. (Source: Museo Reina Sofia [website]; https://www.museorei nasofia.es/en/)
Work_Description_Sou rce
From 1923-1924, Joan Miró moved away from the precision of what is known as his “detailistic phase”, in order to radically change the direction of his output, pushing it more towards the proposals of Dadaism and Surrealism. The creative freedom that came with his new pictorial approach led him to experiment with a new language, the starting point of which was that most authentic of Surrealist procedures, Automatism. (Source: Museo Reina Sofia [website]; https://www.museorei nasofia.es/en/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-MIRO-SRS-P23-A02
Image_OriginalVendor ID
7A1-MIRO-SRS-P23-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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