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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Painting (The Red Spot)
Work_PrefTitle
Painting (The Red Spot)
Preferred Title
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Alternate Title:
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Pintura (La mancha roja)
Work_AltTitle
Pintura (La mancha roja)
Alternate Title
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Image View:
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Overall view, without frame
Image_Title
Overall view, without frame
Image View
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Creator:
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Joán Miró (Spanish painter, 1893-1983)
Agent_Display
Joán Miró (Spanish painter, 1893-1983)
Creator
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Location:
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repository: Museo Nacional Centro de Arte Reina Sofía (Madrid, Madrid, Spain) AD01120
Work_Location_Type_D isplay
repository: Museo Nacional Centro de Arte Reina Sofía (Madrid, Madrid, Spain) AD01120
Location
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Location Note:
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52 Santa Isabel Street
Work_LocationNotes
52 Santa Isabel Street
Location Note
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GPS:
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40.408889-3.694444
GPS
40.408889-3.694444
GPS
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Date:
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1925 (creation)
Work_DateDisplay
1925 (creation)
Date
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Cultural Context:
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Catalan; French
Work_Culture
Catalan; French
Cultural Context
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Style Period:
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Surrealist; Twentieth century
Work_StylePeriodDisp lay
Surrealist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint; pastel on canvas
Work_MaterialDisplay
oil paint; pastel on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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146 cm (height) x 114 cm (width)
Work_MeasurementDisp lay
146 cm (height) x 114 cm (width)
Measurements
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Subjects:
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abstraction
Work_Image_SubjectDi splay
abstraction
Subjects
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Description:
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Jacques Dupin gives the name "oneiric paintings" to the group of pictures Joan Miró did in Paris in 1925, 1926 and 1927, which is to say the period that the artist was closest to Surrealist poetics. From 1923-1924, Miró’s output began to evolve towards Surrealism, and this would have a definitive effect on his future production. It led the artist to experiment with a new language, taking as his starting point that most authentic of Surrealist procedures, Automatism. (Source: Museo Reina Sofia [website]; https://www.museorei nasofia.es/en/)
Work_Description_Sou rce
Jacques Dupin gives the name "oneiric paintings" to the group of pictures Joan Miró did in Paris in 1925, 1926 and 1927, which is to say the period that the artist was closest to Surrealist poetics. From 1923-1924, Miró’s output began to evolve towards Surrealism, and this would have a definitive effect on his future production. It led the artist to experiment with a new language, taking as his starting point that most authentic of Surrealist procedures, Automatism. (Source: Museo Reina Sofia [website]; https://www.museorei nasofia.es/en/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-MIRO-SRS-PTRS-A0 1
Image_OriginalVendor ID
7A1-MIRO-SRS-PTRS-A0 1
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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