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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Composition in Colours / Composition No. I with Red and Blue
Work_PrefTitle
Composition in Colours / Composition No. I with Red and Blue
Preferred Title
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Image View:
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Detail, lower center
Image_Title
Detail, lower center
Image View
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Creator:
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Piet Mondrian (Dutch painter, 1872-1944)
Agent_Display
Piet Mondrian (Dutch painter, 1872-1944)
Creator
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Location:
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repository: Museo Thyssen-Bornemisza (Madrid, Madrid, Spain) Inv. no. 677 (1977.51)
Work_Location_Type_D isplay
repository: Museo Thyssen-Bornemisza (Madrid, Madrid, Spain) Inv. no. 677 (1977.51)
Location
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Location Note:
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Paseo del Prado, 8
Work_LocationNotes
Paseo del Prado, 8
Location Note
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GPS:
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40.416111-3.695
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Date:
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1931 (creation)
Work_DateDisplay
1931 (creation)
Date
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Cultural Context:
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Dutch
Work_Culture
Dutch
Cultural Context
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Style Period:
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De Stijl; Neo-Plastic; Twentieth century
Work_StylePeriodDisp lay
De Stijl; Neo-Plastic; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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50 cm (height) x 50 cm (width)
Work_MeasurementDisp lay
50 cm (height) x 50 cm (width)
Measurements
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Subjects:
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abstraction; nonrepresentational art; non-objective
Work_Image_SubjectDi splay
abstraction; nonrepresentational art; non-objective
Subjects
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Description:
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Although his links to the Dutch Neo-Plasticist group De Stijl were severed in 1925 owing to disagreements with Van Doesburg, Mondrian devoted his whole life and oeuvre to investigating the balance between orthogonal forms and primary colors. Piet Mondrian was the foremost representative of the geometrical trend in abstract art at the Cubism and Abstract Art exhibition staged in 1936 by Alfred Barr. This work illustrates his pared down artistic vocabulary, which was by then fully defined following his return from Paris, when he published his manifesto on Neo-Plasticism. (Source: Thyssen-Bornemisza Museum [website]; https://www.museothy ssen.org/en/)
Work_Description_Sou rce
Although his links to the Dutch Neo-Plasticist group De Stijl were severed in 1925 owing to disagreements with Van Doesburg, Mondrian devoted his whole life and oeuvre to investigating the balance between orthogonal forms and primary colors. Piet Mondrian was the foremost representative of the geometrical trend in abstract art at the Cubism and Abstract Art exhibition staged in 1936 by Alfred Barr. This work illustrates his pared down artistic vocabulary, which was by then fully defined following his return from Paris, when he published his manifesto on Neo-Plasticism. (Source: Thyssen-Bornemisza Museum [website]; https://www.museothy ssen.org/en/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-MONDRIAN-TBM-CIC 1-A02
Image_OriginalVendor ID
7A1-MONDRIAN-TBM-CIC 1-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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