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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Woman in a Red Armchair
Work_PrefTitle
Woman in a Red Armchair
Preferred Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Pablo Picasso (Spanish painter, 1881-1973)
Agent_Display
Pablo Picasso (Spanish painter, 1881-1973)
Creator
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Location:
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repository: Musée Picasso [Paris] (Paris, Île-de-France, France) MP112
Work_Location_Type_D isplay
repository: Musée Picasso [Paris] (Paris, Île-de-France, France) MP112
Location
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Location Note:
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From Africa to the Americas: Face-to-Face Picasso, Past and Present (2018 exhibition)
Work_LocationNotes
From Africa to the Americas: Face-to-Face Picasso, Past and Present (2018 exhibition)
Location Note
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Date:
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1929 (creation)
Work_DateDisplay
1929 (creation)
Date
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Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Surrealist; Twentieth century
Work_StylePeriodDisp lay
Surrealist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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64.5 cm (height) x 54 cm (width)
Work_MeasurementDisp lay
64.5 cm (height) x 54 cm (width)
Measurements
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Subjects:
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abstraction
Work_Image_SubjectDi splay
abstraction
Subjects
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Description:
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Painted in Paris in 1929. In 1925 the Surrealist writer and poet André Breton declared Picasso as "one of ours" in his article Le Surréalisme et la peinture, published in Révolution surréaliste. Les Demoiselles was reproduced for the first time in Europe in the same issue. Yet Picasso exhibited Cubist works at the first Surrealist group exhibition in 1925; the concept of "psychic automatism in its pure state" defined in the Manifeste du surréalisme never appealed to him entirely. Surrealism revived Picasso's attraction to primitivism and eroticism. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Work_Description_Sou rce
Painted in Paris in 1929. In 1925 the Surrealist writer and poet André Breton declared Picasso as "one of ours" in his article Le Surréalisme et la peinture, published in Révolution surréaliste. Les Demoiselles was reproduced for the first time in Europe in the same issue. Yet Picasso exhibited Cubist works at the first Surrealist group exhibition in 1925; the concept of "psychic automatism in its pure state" defined in the Manifeste du surréalisme never appealed to him entirely. Surrealism revived Picasso's attraction to primitivism and eroticism. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-PICASSO-FAFFM-WR A-A01
Image_OriginalVendor ID
7A1-PICASSO-FAFFM-WR A-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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