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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Palazzo Altemps; Chapel of Saint Anicetus and the Blessed Virgin of Clemency
Work_PrefTitle
Palazzo Altemps; Chapel of Saint Anicetus and the Blessed Virgin of Clemency
Preferred Title
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Alternate Title:
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Martyrdom of Pope Anicetus
Work_AltTitle
Martyrdom of Pope Anicetus
Alternate Title
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Image View:
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Detail, ceiling fresco, may have been completed by Polidoro Mariottini; the frieze of putti and balustrade is by Circignani
Image_Title
Detail, ceiling fresco, may have been completed by Polidoro Mariottini; the frieze of putti and balustrade is by Circignani
Image View
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Creator:
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Antonio Circignani (Italian painter, ca. 1567-1629)
Agent_Display
Antonio Circignani (Italian painter, ca. 1567-1629)
Creator
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Location:
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repository: Palazzo Altemps (Rome, Lazio, Italy)
Work_Location_Type_D isplay
repository: Palazzo Altemps (Rome, Lazio, Italy)
Location
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Location Note:
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Piazza di Sant'Apollinare, 46; church entrance is at Via della Maschera d'Oro 8
Work_LocationNotes
Piazza di Sant'Apollinare, 46; church entrance is at Via della Maschera d'Oro 8
Location Note
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GPS:
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41.901172 12.473059
GPS
41.901172 12.473059
GPS
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Date:
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frescoes, 1619-1622 (creation)
Work_DateDisplay
frescoes, 1619-1622 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Mannerist (Renaissance-Baroque style)
Work_StylePeriodDisp lay
Mannerist (Renaissance-Baroque style)
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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pigment on plaster (fresco)
Work_MaterialDisplay
pigment on plaster (fresco)
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Subjects:
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New Testament; saints; Mary, Blessed Virgin, Saint; Popes
Work_Image_SubjectDi splay
New Testament; saints; Mary, Blessed Virgin, Saint; Popes
Subjects
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Description:
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A 17th century private chapel in the Palazzo Altemps. All the palazzi in Rome at the time would have had at least one private chapel. The one in the Palazzo Altemps is singular in that it contains the shrine of a saint, Pope St. Anicetus. This gave it the status of a church, and the liturgy was celebrated publicly there on the saint's former feast day of April 17th. In 1604, Pope Clement VIII gave Giovanni Angelo Altemps the alleged relics of the pope. The wall frescoes and the frieze of putti were executed by Antonio Circignani (Il Pomarancio), but the vaults and ceiling are probably by Polidoro Mariottini. (Source: Churches of Rome Wiki [website]; http://romanchurches .wikia.com/)
Work_Description_Sou rce
A 17th century private chapel in the Palazzo Altemps. All the palazzi in Rome at the time would have had at least one private chapel. The one in the Palazzo Altemps is singular in that it contains the shrine of a saint, Pope St. Anicetus. This gave it the status of a church, and the liturgy was celebrated publicly there on the saint's former feast day of April 17th. In 1604, Pope Clement VIII gave Giovanni Angelo Altemps the alleged relics of the pope. The wall frescoes and the frieze of putti were executed by Antonio Circignani (Il Pomarancio), but the vaults and ceiling are probably by Polidoro Mariottini. (Source: Churches of Rome Wiki [website]; http://romanchurches .wikia.com/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-POMARAN-SAPA-A19
Image_OriginalVendor ID
7A1-POMARAN-SAPA-A19
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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