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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Untitled
Work_PrefTitle
Untitled
Preferred Title
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Alternate Title:
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Sans titre
Work_AltTitle
Sans titre
Alternate Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Joan Mitchell (American painter, 1925-1992)
Agent_Display
Joan Mitchell (American painter, 1925-1992)
Creator
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Location:
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exhibition: Musée national des beaux-arts du Québec (Québec, Québec, Canada)
Work_Location_Type_D isplay
exhibition: Musée national des beaux-arts du Québec (Québec, Québec, Canada)
Location
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Location Note:
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Pavillon Pierre Lassonde; From exhibition, Mitchell/Riopelle: Nothing in Moderation (October 12, 2017-January 7, 2018)
Work_LocationNotes
Pavillon Pierre Lassonde; From exhibition, Mitchell/Riopelle: Nothing in Moderation (October 12, 2017-January 7, 2018)
Location Note
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GPS:
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46.798889-71.224722
GPS
46.798889-71.224722
GPS
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Date:
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1961 (creation)
Work_DateDisplay
1961 (creation)
Date
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Cultural Context:
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American; French
Work_Culture
American; French
Cultural Context
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Style Period:
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Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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228.9 cm (height) x 206.1 cm (width)
Work_MeasurementDisp lay
228.9 cm (height) x 206.1 cm (width)
Measurements
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Subjects:
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nonrepresentational art
Work_Image_SubjectDi splay
nonrepresentational art
Subjects
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Description:
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Estate of Joan Mitchell. A member of the second generation of Abstract Expressionists (with Helen Frankenthaler, Sam Francis, Morris Louis, Kenneth Noland and others) American artist Joan Mitchell left New York for France in the 1950s. In the late 1960s, her work took on new scale and ambition when she settled in Vétheuil, in Normandy. The works of this period propose a synthesis between the reserve of European painting and the powerful energies of American Expressionism. (Source: Centre Pompidou [website]; http://www.centrepom pidou.fr/en/)
Work_Description_Sou rce
Estate of Joan Mitchell. A member of the second generation of Abstract Expressionists (with Helen Frankenthaler, Sam Francis, Morris Louis, Kenneth Noland and others) American artist Joan Mitchell left New York for France in the 1950s. In the late 1960s, her work took on new scale and ambition when she settled in Vétheuil, in Normandy. The works of this period propose a synthesis between the reserve of European painting and the powerful energies of American Expressionism. (Source: Centre Pompidou [website]; http://www.centrepom pidou.fr/en/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-RIOPELLE-UT3-A01
Image_OriginalVendor ID
7A1-RIOPELLE-UT3-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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