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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Power Figure (nkisi nkondi) from Angola
Work_PrefTitle
Power Figure (nkisi nkondi) from Angola
Preferred Title
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Image View:
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Overall view from right
Image_Title
Overall view from right
Image View
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Creator:
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unknown (Kongo sculptor)
Agent_Display
unknown (Kongo sculptor)
Creator
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Location:
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exhibition: Montreal Museum of Fine Arts (Montréal, Québec, Canada)
Work_Location_Type_D isplay
exhibition: Montreal Museum of Fine Arts (Montréal, Québec, Canada)
Location
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Location Note:
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From Africa to the Americas: Face-to-Face Picasso, Past and Present (2018 exhibition)
Work_LocationNotes
From Africa to the Americas: Face-to-Face Picasso, Past and Present (2018 exhibition)
Location Note
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Date:
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ca. 1860 (creation)
Work_DateDisplay
ca. 1860 (creation)
Date
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Cultural Context:
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Central African; Kongo
Work_Culture
Central African; Kongo
Cultural Context
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Style Period:
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Kongo
Work_StylePeriodDisp lay
Kongo
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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wood; iron nails; glass
Work_MaterialDisplay
wood; iron nails; glass
Material
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Technique:
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carving (processes); construction (assembling)
Work_Technique
carving (processes); construction (assembling)
Technique
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Subjects:
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deities; spirits
Work_Image_SubjectDi splay
deities; spirits
Subjects
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Description:
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Nkondi are mystical idols made by the Kongo people of the Congo region. Nkondi are a subclass of nkisi (or minkisi) that are considered aggressive. The name nkondi derives from the verb konda, meaning "to hunt" and thus nkondi means "hunter" because they can hunt down and attack wrong-doers, witches, or enemies. Because they are aggressive, many nkondi are carved as human figures with their hands raised, sometimes bearing weapons. According to Kongo testimony of the early twentieth century, people drive nails into the figures as part of a petition for help, healing, or witness, particularly of contracts and pledges. The purpose of the nailing is to "awaken" and sometimes to "enrage" the nkisi to the task in hand. The figures usually have a compartment to store a bilongo, a packet of materials translated as "medicine." (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Work_Description_Sou rce
Nkondi are mystical idols made by the Kongo people of the Congo region. Nkondi are a subclass of nkisi (or minkisi) that are considered aggressive. The name nkondi derives from the verb konda, meaning "to hunt" and thus nkondi means "hunter" because they can hunt down and attack wrong-doers, witches, or enemies. Because they are aggressive, many nkondi are carved as human figures with their hands raised, sometimes bearing weapons. According to Kongo testimony of the early twentieth century, people drive nails into the figures as part of a petition for help, healing, or witness, particularly of contracts and pledges. The purpose of the nailing is to "awaken" and sometimes to "enrage" the nkisi to the task in hand. The figures usually have a compartment to store a bilongo, a packet of materials translated as "medicine." (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A3-AFRICAN-FAFFM-NF -A03
Image_OriginalVendor ID
7A3-AFRICAN-FAFFM-NF -A03
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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