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Collection:
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Catena-Historic Gardens and Landscapes Archive
Collection
Catena-Historic Gardens and Landscapes Archive
Collection
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Image No.:
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200078
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Title:
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Hypnerotomachie, ou Discours du Songe de Poliphile
WorkTitleDescription
Hypnerotomachie, ou Discours du Songe de Poliphile
Title
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View:
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[An extraordinary fountain]
ReproTitleDescriptio n
[An extraordinary fountain]
View
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Dates:
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1561
WorkDateDisplay
1561
Dates
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Location:
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Europe--France--Ile- de-France--Paris
WorkLocationDescript ion
Europe--France--Ile- de-France--Paris
Location
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Location Type:
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Creation
WorkLocationTypeDesc ription
Creation
Location Type
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Culture:
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French
WorkCultureDescripti on
French
Culture
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Period:
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Renaissance
WorkStylePeriodDescr iption
Renaissance
Period
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Creator:
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author
Colonna, Francesco
Attributed
1433/34-1527
Italian
WorkCreatorRole]|#Wo rkCreatorDisplayName ]|#WorkCreatorNameTy peDescription]|#Work CreatorDisplayDate]| #WorkCreatorNational ity
author
Colonna, Francesco
Attributed
1433/34-1527
Italian
Creator
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Materials:
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paper
WorkMaterialDescript ion
paper
Materials
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Techniques:
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woodcut (process)
WorkTechniqueDescrip tion
woodcut (process)
Techniques
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Measurements:
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33.8 x 22.2 cm
WorkMeasurementValue Text
33.8 x 22.2 cm
Measurements
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Repository:
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New York, NY, USA, Private Collection, New York
WorkRepositoryName
New York, NY, USA, Private Collection, New York
Repository
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Category:
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Villas
WorkCategory
Villas
Category
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Work Type:
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Books
WorkTypeDescription
Books
Work Type
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Subjects:
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Romances; Pleasure gardens; Dreams; Fountains; Harpies; Aquatic animals; Water; Nymphs; Water chains; Water
ReproSubjectDescript ion
Romances; Pleasure gardens; Dreams; Fountains; Harpies; Aquatic animals; Water; Nymphs; Water chains; Water
Subjects
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Work Notes:
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Collation: a6 A-Bb6 Cc8 = 164 ff., complete. With engraved woodcut title-page and 181 woodcuts illustrating the text, of which 13 are full-page, several crible initials in preliminary text, large 9-line floriated arabesque initials forming an acrostic throughout, Kerver's unicorn device (Renouard 515) on verso of final leaf. Folio, 338 x 222 mm, bound in nineteenth-century calf, marbled endpapers.
A superb French Edition of the most famous illustrated book of the Renaissance. A large number of these magnificent illustrations are dedicated to gardens. The designer of the original 1499 Aldus woodcuts remains unidentified although speculation has included artists such as Mantegna and Giovanni Bellini. Nor has the author of the Hypnerotomachia Poliphili been identified with certainty. It was probably written by Francesco Colonna, a Dominican from Treviso, in Latin about 1445. Its two main themes are the allegorical dream-journey of Poliphilus in search of his love Polia, and the praise of Antique art and culture.
WorkNotes
Collation: a6 A-Bb6 Cc8 = 164 ff., complete. With engraved woodcut title-page and 181 woodcuts illustrating the text, of which 13 are full-page, several crible initials in preliminary text, large 9-line floriated arabesque initials forming an acrostic throughout, Kerver's unicorn device (Renouard 515) on verso of final leaf. Folio, 338 x 222 mm, bound in nineteenth-century calf, marbled endpapers.
A superb French Edition of the most famous illustrated book of the Renaissance. A large number of these magnificent illustrations are dedicated to gardens. The designer of the original 1499 Aldus woodcuts remains unidentified although speculation has included artists such as Mantegna and Giovanni Bellini. Nor has the author of the Hypnerotomachia Poliphili been identified with certainty. It was probably written by Francesco Colonna, a Dominican from Treviso, in Latin about 1445. Its two main themes are the allegorical dream-journey of Poliphilus in search of his love Polia, and the praise of Antique art and culture.
Work Notes
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Image Notes:
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"In the centre of this admirable area, I saw an extraordinary fountain spurting clear water through narrow pipes as high as the enclosing hedge. The water fell back into a wide shell of fine amethyst, three paces in diameter and three inches thick, diminishing to one inch at the rim of this excellent tub. All around it aquatic monsters could be seen, perfectly carved in bas-relief. The ancient craftsmen never managed to achieve such splendid work in hard stone as this admirable and complex ornamentation, nor could Pausanias boast of such when he dedicated his bronze crater at Hippari."
ReproNotes
"In the centre of this admirable area, I saw an extraordinary fountain spurting clear water through narrow pipes as high as the enclosing hedge. The water fell back into a wide shell of fine amethyst, three paces in diameter and three inches thick, diminishing to one inch at the rim of this excellent tub. All around it aquatic monsters could be seen, perfectly carved in bas-relief. The ancient craftsmen never managed to achieve such splendid work in hard stone as this admirable and complex ornamentation, nor could Pausanias boast of such when he dedicated his bronze crater at Hippari."
Image Notes
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Rights Type:
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fair use
ReproRightsDetails
fair use
Rights Type
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