Collation: a6 A-Bb6 Cc8 = 164 ff., complete. With engraved woodcut title-page and 181 woodcuts illustrating the text, of which 13 are full-page, several crible initials in preliminary text, large 9-line floriated arabesque initials forming an acrostic throughout, Kerver's unicorn device (Renouard 515) on verso of final leaf. Folio, 338 x 222 mm, bound in nineteenth-century calf, marbled endpapers.
A superb French Edition of the most famous illustrated book of the Renaissance. A large number of these magnificent illustrations are dedicated to gardens. The designer of the original 1499 Aldus woodcuts remains unidentified although speculation has included artists such as Mantegna and Giovanni Bellini. Nor has the author of the Hypnerotomachia Poliphili been identified with certainty. It was probably written by Francesco Colonna, a Dominican from Treviso, in Latin about 1445. Its two main themes are the allegorical dream-journey of Poliphilus in search of his love Polia, and the praise of Antique art and culture.
WorkNotes
Collation: a6 A-Bb6 Cc8 = 164 ff., complete. With engraved woodcut title-page and 181 woodcuts illustrating the text, of which 13 are full-page, several crible initials in preliminary text, large 9-line floriated arabesque initials forming an acrostic throughout, Kerver's unicorn device (Renouard 515) on verso of final leaf. Folio, 338 x 222 mm, bound in nineteenth-century calf, marbled endpapers.
A superb French Edition of the most famous illustrated book of the Renaissance. A large number of these magnificent illustrations are dedicated to gardens. The designer of the original 1499 Aldus woodcuts remains unidentified although speculation has included artists such as Mantegna and Giovanni Bellini. Nor has the author of the Hypnerotomachia Poliphili been identified with certainty. It was probably written by Francesco Colonna, a Dominican from Treviso, in Latin about 1445. Its two main themes are the allegorical dream-journey of Poliphilus in search of his love Polia, and the praise of Antique art and culture.
Work Notes
Image Notes:
"On the other side was a relief of a jolly divinity resembling a deceitful girl, crowned with two long, tangled serpents, white and black, tied in squirming coils. He lounged beneath a fruitful vine, on whose trellis some beautiful little nude spirits were climbing with laughing faces and picking the heavy, ripe bunches of grapes. Some of them were offering them in bowls to this divinity, who, on seeing them, accepted them pleasantly; others were lying on the grassy ground in sweet sleep caused by the grape-juice. Some were busy with the work of the autumn vintage, while others were amusing themselves, singing and playing on stretched drumheads."
ReproNotes
"On the other side was a relief of a jolly divinity resembling a deceitful girl, crowned with two long, tangled serpents, white and black, tied in squirming coils. He lounged beneath a fruitful vine, on whose trellis some beautiful little nude spirits were climbing with laughing faces and picking the heavy, ripe bunches of grapes. Some of them were offering them in bowls to this divinity, who, on seeing them, accepted them pleasantly; others were lying on the grassy ground in sweet sleep caused by the grape-juice. Some were busy with the work of the autumn vintage, while others were amusing themselves, singing and playing on stretched drumheads."
Image Notes
Rights Type:
fair use
ReproRightsDetails
fair use
Rights Type
Hypnerotomachie, ou Discours du Songe de Poliphile
