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Collection:
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Museum and the Online Archive of California
Collection
Museum and the Online Archive of California
Collection
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Creation Place:
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East Sumba
cdidorinamname
East Sumba
Creation Place
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Creation Place:
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Indonesia
cdidorinamname
Indonesia
Creation Place
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Creation Place:
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Lesser Sundas
cdidorinamname
Lesser Sundas
Creation Place
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Title:
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Textile; hinggi; funeral shroud or man's ceremonial wrap. Indonesia
cdiduniunittitle
Textile; hinggi; funeral shroud or man's ceremonial wrap. Indonesia
Title
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Date:
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1941
cdiduniunitdate
1941
Date
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Materials:
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warp ikat
cdidphyphyphysfacet
warp ikat
Materials
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Materials:
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dyed
cdidphyphyphysfacet
dyed
Materials
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Materials:
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handwoven
cdidphyphyphysfacet
handwoven
Materials
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Materials:
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cotton
cdidphyphyphysfacet
cotton
Materials
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Materials:
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textile
cdidphyphyphysfacet
textile
Materials
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Dimensions:
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269.0 cm by 62.0 cm
cdidphydimdimensions
269.0 cm by 62.0 cm
Dimensions
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Current Location:
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Fowler Museum of Cultural History. University of California, Los Angeles.
crepcorcorpname
Fowler Museum of Cultural History. University of California, Los Angeles.
Current Location
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Address:
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Los Angeles, California 90095-1549
crepaddaddaddresslin e
Los Angeles, California 90095-1549
Address
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Object ID:
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UCLA FMCH X61.6
cdiduniunitid
UCLA FMCH X61.6
Object ID
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Subject:
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- shrimp tree animal geometric
- warp ikat dyed handwoven cotton textile
cconpp
- shrimp tree animal geometric
- warp ikat dyed handwoven cotton textile
Subject
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Heading:
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Content/Description
coddhead
Content/Description
Heading
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Notes:
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REMARKS COMPILED IN 1987 BY ROY HAMILTON ON BASIS OF EXISTING RECORDS, EXAMINATION OF OBJECT, AND REVIEW OF THE LITERATURE: A complete "hinggi" consists of two identical panels sewn together lengthwise. The warp threads of the two panels are tied and dyed together, but must be woven separately due to the width limitations of the back tension loom. X61.5 and X61.6 are a matched pair of panels, which would be sewn together to make a complete "hinggi". Collected during the decade prior to World War II. Traditionally, multi-colored "hinggi" were the prerogative of noble clans. They served as clan heirlooms and were exchanged with allied clans at marriages and funerals. They were worn by men at ceremonial occasions and used as funeral shrouds. However, this cloth was collected during the "Expansion Period", 1913-1942 [Adams 1969:96], when production increased to meet the demands of external trade. It evidences features characteristic of this period, such as simplified motifs and the absence of specialized finishing techniques. The major motif band has alternating shrimp and tree motifs. Other motifs include horses, buffalo(?), roosters(?) and small snakes.
coddpp
REMARKS COMPILED IN 1987 BY ROY HAMILTON ON BASIS OF EXISTING RECORDS, EXAMINATION OF OBJECT, AND REVIEW OF THE LITERATURE: A complete "hinggi" consists of two identical panels sewn together lengthwise. The warp threads of the two panels are tied and dyed together, but must be woven separately due to the width limitations of the back tension loom. X61.5 and X61.6 are a matched pair of panels, which would be sewn together to make a complete "hinggi". Collected during the decade prior to World War II. Traditionally, multi-colored "hinggi" were the prerogative of noble clans. They served as clan heirlooms and were exchanged with allied clans at marriages and funerals. They were worn by men at ceremonial occasions and used as funeral shrouds. However, this cloth was collected during the "Expansion Period", 1913-1942 [Adams 1969:96], when production increased to meet the demands of external trade. It evidences features characteristic of this period, such as simplified motifs and the absence of specialized finishing techniques. The major motif band has alternating shrimp and tree motifs. Other motifs include horses, buffalo(?), roosters(?) and small snakes.
Notes
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Heading:
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BIBLIOGRAPHY:
coddhead
BIBLIOGRAPHY:
Heading
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Notes:
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Adams, Marie Jeanne. 1969. SYSTEM AND MEANING IN EAST SUMBA TEXTILE DESIGN. Cultural Report Series #16, Southeast Asia Studies, Yale University.
coddpp
Adams, Marie Jeanne. 1969. SYSTEM AND MEANING IN EAST SUMBA TEXTILE DESIGN. Cultural Report Series #16, Southeast Asia Studies, Yale University.
Notes
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Collection Description:
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hyperlink
Collection Description
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METS ID:
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ark:/13030/ft0d5n99b v
cpoi
ark:/13030/ft0d5n99b v
METS ID
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